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The Native instruments VC2A is probably my favourite version in a plugin.
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I used a hardware one constantly in 1990's when I was a studio recording engineer. Includes CLA-2A, CLA-3A, CLA-76 Blacky & CLA-76 Bluey. Created in collaboration with Grammy® award-winning mixer Chris Lord-Alge. Four models based on classic compressors.
#WAVES CLA 2A COMPRESSOR FREE HOW TO#
Musician Chris Lawson does a shootout of each one on vocals, so you can see how to use them in your mixes. Now, Waves and Chris Lord-Alge join forces to bring you impeccable models of four compressors considered true classics by audio engineers the world over. With this kit you get our professional EQ, reverb, compressor. Total Bundle is a collection of all FabFilter plugins. CLA MixHub Lite (Mono and Stereo) components for reduced CPU consumption (up to 30 reduction depending on processor type).
#WAVES CLA 2A COMPRESSOR FREE UPDATE#
I use this style of compressor as a leveller. Hear the differences between the 4 CLA Classic Compressors: CLA-2A, CLA-3A and CLA-76 Blue and Black versions. Waves plugins added free of charge to Waves bundles covered under the Waves Update Plan. Great for bass, guitars, keys, and vocals (in conjunction with another compressor like an 1176 if you need to deal with a vocalist's transients). It leaves transients alone and averages out the signal over time. Gain would make the panel inside brighter optically and then you adjust the peak to control the amount of compression (how much of the light the photo cell responds to). You control it by using the input gain and peak together. It worked using a luminescent panel as an input and photocells 'seeing' and adapting the compression ration and release, if the photo cell sees light it continues to work. Buy Waves CLA-2A - Compressor/Limiter Plug-In (TDM) featuring Electro-Optical Tube Compressor Model, Easy to Use Interface, Sidechain Frequency Filter, TDM for Avid Pro Tools HD Systems, RTAS. In Part 3 of our mixing with Waves plug-ins series, Brent from Studio One Expert uses Waves CLA-2A Compressor / Limiter in his vocal chain smooth and level t. If it was modelled properly then the attack/release and the ratio are dependent on the source signal but generally the original Teletronix was a 10ms attack time, a 4:1 ratio and the release was around 60ms on quick signals with a further hold from 1s - 15s depending on the signal.